FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

THE WAVES OF FAITH

Humra Quraishi comments on the mindless destruction of libraries, literature and Indian history by the forces that are leaving...

A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

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ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...